Note the detailed sample information provided, included tempo, size, channels (mono or stereo file) and, since we're looking at RX2 files, size both compressed and expanded.Once loaded, the sample's appearance in the waveform/slice display dominates the screen. A very detailed file selector window lists all a sample's parameters and offers pre-loading auditioning. The only real limitation is that no sample, mono or stereo, can be longer than five minutes. Mac Sound Designer II files can also be loaded. This can be a mono or stereo 8-, 16- or 24-bit AIFF or WAV file, with a sample rate between 11.025kHz and 1MHz. First of all, you load a file, since Recycle has no recording options.

To explore what Recycle does is to discover its control set. Operationally, though, there are few significant differences between the versions 2 and 2.1. The latest incarnation of Recycle works under Windows XP/2000 or Mac OS X gone is version 2.0's support for earlier flavours of Windows and Mac OS 9. This approach to the issue has been borrowed by others - most visibly, perhaps, in recent sampling devices from the likes of Korg and Yamaha - and is still an effective alternative to pure DSP-based tricks. The whole loop could also be quantised, or used as the basis for 'groove quantising' in another piece of music. The slices were generally sent to the engineer's sampler, to take the load off the host computer. The bits, of course, could be triggered by a MIDI file generated by the process, or played back in any order at any tempo, with slices having the option of being retuned. Recycle 's approach of 'find the peaks and chop the sample into bits' soon found favour with engineers and remixers of all styles. Rex loop player amongst its device arsenal, and Recycle is the package that generates the required loops.Īt the time of Recycle 's initial release, real-time pitch and tempo manipulation were a couple of generations away for most studio users, while many engineers used hardware samplers to extend the capabilities of their computer-based audio software. Of course, Recycle 's chances of being marginalised are slim: Reason includes the Dr.

Recycle has been around in one form or another for almost 10 years (version 1.1 was reviewed in SOS May 1995) and represents, as it always has, a lateral approach to tempo- and pitch-matching of unrelated sampled audio, typically of the 'loop' variety. With the high profile of their Reason software studio, it's easy to forget that Propellerhead have another revolutionary piece of programming in their roster. Is it still an essential tool a decade after its original launch? It's been a long wait, but the original slice-and-dice loop editing program has finally made it to Mac OS X. No further fine-tuning of slices was needed, though the Envelope, Transient Shaper and EQ have been manipulated. A typical two-bar drum loop is here easily sliced using the Sensitivity slider.

Propellerhead recycle full tutorial